“The novel is a big, baggy, glorious, inchoate, inexact form.”
– David Mitchell, September 20th, 2014
For the packed house at the International Festival of Authors yesterday, David Mitchell needed no introduction. Globe & Mail Arts Editor Jared Bland teased, “He was ranked among the top 100 most influential people in the world by Time in 2007. . . So I guess he’s getting less and less influential.” He described David’s new book, The Bone Clocks, as a “hypnotic Rubik’s Cube of a novel.” When he read his introduction to David before the event, he told us, the author said whoever wrote that “had had too many metaphors on their Corn Flakes this morning.”
An afternoon with David Mitchell promises to be just as sprawling, intelligent, and funny as one of his novels. David began with a reading from The Bone Clocks, “this monster I’ve unleashed onto the world.” He set the scene for his excerpt, asking us to imagine him as a mid-30s foreign war correspondent. It’s 2004. He’s just discovered that his four-year-old daughter is missing: “And this is what happens next.” Ed stumbles through a fan convention filled with Darth Vaders and and Harry Potters to get outside, racing toward a boardwalk psychic Aoife had demanded to visit earlier. The horror of his lost daughter is juxtaposed against the cheery chaos of Brighton Pier.
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