book review

All the hovering possibilities: a review of Frog Music by Emma Donoghue

Violent political realities in Sierra Leone and their lasting physical and psychological traumas form the backdrop of Michael Wuitchik’s gritty debut My Heart is not My Own. neck.

Frog Music

“By evening, the heat of the day has thickened like a smell. P’tit finally falls into a snuffling doze in her locked arms.
A tap at the door. . . Jenny Bonnet, the pool of purple around her eye faded to greenish yellow, the swelling gone down. It was only two days ago when the thug walloped her chez Durand, Blache calculates. That was in Blanche’s old life, before she brought P’tit home.”

Frog Music, Emma Donoghue

San Francisco, 1876: During an unbearable heat wave and a dangerous outbreak of smallpox, Blanche Beunon bends over to unlace her boots and bullets fly over her head, killing her new friend Jenny Bonnet almost instantly. Blanche is sure her lover and his best friend are behind it, that the bullets were meant for her. Jenny, a prototypical coucher surfer who makes her living catching frogs for restaurants and has done jail time for her habit of wearing men’s clothing, was simply in the wrong place. But can it be more than that? From the notorious House of Mirrors where Blanche dances to Chinatown where she and her lover live, Frog Music draws a picture both bright and bleak of post–Gold Rush San Francsico and brings to life a real unsolved murder.

Continue reading “All the hovering possibilities: a review of Frog Music by Emma Donoghue”

literary event

The Event: Emma Donoghue at Toronto Reference Library’s Appel Salon

Emma Donoghue © Nina Subin, 2010. Image from

Book season has officially kicked off in Toronto. With Tuesday night’s fabulous Bookstravaganza, the Eden Mills Writers’ Festival, Word on the Street, and the International Festival of Authors, we also have the always incredible (and incredibly free) Bram & Bluma Appel Salon programs at the Toronto Reference Library.

Several hundred fans came out on September 19th for an evening with Emma Donoghue, who is known as much for her vivid, meticulous historical fiction (Slammerkin, The Sealed Letter) as she is her 2010 blockbuster success Room , a contemporary novel told from the point of view of a precocious five year old whose whole, mostly happy, world, Room, is actually the prison he and his mother are kept in by her kidnapper and serial rapist. With her new historical fiction short story collection, Astray, arriving on shelves at the end of October, I was eager to hear what an author of such diverse genres and forms had to say.

Continue reading “The Event: Emma Donoghue at Toronto Reference Library’s Appel Salon”