Blog Tour: a review of Prototype by MD Waters

 

Prototype original

Prototype

“I want to laugh. Maybe Emma Burke would exit this room without a word, but I am not that woman any more.
Pulling free of Foster’s grip, I spin so fast Noah and Reid stop arguing to stare in bewildered silence.

‘You will not keep me here, Major Reid,’ I tell him, but shift my focus between both men in case Noah decides to join Reid’s crusade. ‘I dare you to try.’

– Prototype, MD Waters

In the follow-up to the dystopian ArchetypePrototype by MD Waters finishes the story of Emma Wade-Burke, a woman on the run in a future version of the United States where fertile women are in scare supply, surveillance is everywhere, and a band of resistance fighters is gearing up for a war against the business elite who are keeping some serious secrets. Told from Emma’s first person present perspective, Archetype had a claustrophobic quality as Emma struggled to regain her memories within the prison of the hospital she awakens in and the home she shares with her husband Declan. Book two opens after Emma has discovered the truth about herself (spoilers after the cut) and the sinister role Declan has played in both her forgotten past and in society at large.

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Blog Tour: a review of Archetype by MD Waters

Violent political realities in Sierra Leone and their lasting physical and psychological traumas form the backdrop of Michael Wuitchik’s gritty debut My Heart is not My Own. neck.

Archetype

Archetype new

 

Don’t you tell him, that voice sounding very much like mine tells me. Lie. Lie your goddamn ass off…
Men in white lab coats and gray scrubs drive into the room the second I start to convulse. And yet, I continue to try. I have to overcome this. I want to go home.
I told you to lie, She says coolly. You don’t understand yet, but you will.
I only understand that I am at war with myself, and I do not know why. One way or another, I will win.

– Archetype, MD Waters

When she opens her eyes into the glaring light of a hospital room, Emma Burke has no idea where she is—or even who she is. And it’s only after intensive therapy and visits from her doting husband Declan that she begins to understand that she is a wife who has been through an ordeal too terrible to describe. But in MD Waters’s future dystopian debut Archetype, nothing is as it seems. This pageturner blends the amnesiac suspense of SJ Watson’s Before I Go to Sleep with the fertility-challenged future patriarchy of Margaret Atwood’s The Handmaid’s Tale and a dash of Philip K. Dick’s “We Can Remember it For you Wholesale” (the basis of the Total Recall films).

How well it manages to do so is the question. Emma is plagued with nightmares (or are they memories? Visions?) of a life that doesn’t fit the picture Declan paints for her—especially of another man she seems to have intense feelings for and a revolution in which she is a warrior. She lives in a society where too much genetic modification has caused a plague of infertility and a shortage of women in general, where girls are brought up in facilities that train them to be wives. America is in the throes of a Man in the High Castle–like war, and security  cameras are pushing 1984 levels of intrusiveness. There’s a lot going on in Emma’s life, not the least of which is how she can figure out who she is, if she doesn’t remember who she used to be (and if the memories she does have don’t fit the life she sees before her).

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Penguin Canada’s Daily Delights: a review of In Falling Snow by Mary-Rose MacColl

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Part of Penguin Canada’s Daily December Delights!

In Falling Snow

“When I came into the ward later in the morning on my way to reception, another was in the boy’s bed. I saw Miss Ivens on her way back to the theatre. I asked her what had happened and she said the end had been peaceful. ‘Sometimes that’s all you can do,’ she said. She must have read the sadness in my face. ‘It’s enough,’ she said. ‘Sometimes you can’t even given them that. And that’s the hardest of all.’

– In Falling Snow, Mary-Rose MacColl

An elderly Australian woman receives an invitation that brings memories flooding back from a time in her life she has tried hard to forget. She imagines being a young woman, in a field hospital in France, watching in wonder the first snowfall she has ever seen. That wonder suffuses the starker landscape of a France at war, of young men dying and strong women doing all they can to save them. Mary-Rose MacColl’s North American debut In Falling Snow is a beautiful World War I tale and a thoughtful meditation on the slippery nature of memory, as well as the roles of women in family, friendship, work, and war across the 20th century.

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Blog Tour: a review of My Heart is Not My Own by Michael Wuitchik

Violent political realities in Sierra Leone and their lasting physical and psychological traumas form the backdrop of Michael Wuitchik’s gritty debut My Heart is not My Own. My Heart is not My Ownneck.

“‘What you nem?’ she asks. It’s more of a command than a question. Her tone reminds me of the child soldiers during the war: pushy, demanding attention. Many of the bush wives, unwanted in their home villages, ended up here in Freetown as prostitutes. The young men had AK-47s to trade for motorbikes—the girls had nothing but themselves.

– My Heart is not My Own, Michael Wuitchik

Violent political realities in Sierra Leone and their lasting physical and psychological traumas form the backdrop of Michael Wuitchik’s gritty debut My Heart is not My Own. Once an emergency doctor working in wartorn areas, Dr. John Rourke has never fully recovered from his experiences in Freetown. Now a respected psychologist in Vancouver, he and his wife Nadia, a Croatian refugee, live in an uneasy present, agreeing never to address the horrors they have each seen. But the arrival of a mysterious package—and the news that Nadia is pregnant with their first child—forces John to face his past.

The parcel in question contains the diary of a Sierra Leonan nurse named Mariama Lahai, whom John worked with. Though John was forced to evacuate the night the rebels took control of Freetown, he has never forgiven himself for abandoning Mariama and their doctor friend Momodu Camara, another Sierra Leonan. In Mariama’s diary, he discovers what happened to her in the months after his departure. The subject matter of the novel, seen mostly through these diary entries, is intensely difficult. This fictionalized account of very real brutality doesn’t shy away from rape, mutilation, torture, and murder during the 10-year-long civil war in Sierra Leone.

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