Lost in the old world and the new: a review of Copernicus Avenue by Andrew J. Borkowski

By addressing moments in time through short stories, Borkowski is instead sharing pieces of these lives with us, conferring an intimacy upon the reader that might be missing from a larger, more sweeping narrative.

“The front pews are filled with the old women who always come to early mass to claim good seats for the funeral mass that follows this one. These babci are ageless. Smelling of wet wool in their scarves and galoshes, they could be the same women who jostled for the best places when St. Voytek’s opened its doors forty years ago.”

The Poland of Andrew J. Borkowski’s Copernicus Avenue is a land of shifting borders but eternal meaning, shaping and shadowing everything that happens in each character’s life. A set of linked short stories, the book’s setting shuttles between Poland and the Polish Canadian neighbourhood of west Toronto, on the fictional Copernicus Avenue. Spanning many decades, the book tells the overarching story of the Mienkiewicz family, from Great uncle Stefan in wartime Poland to sweet, lost Blaise, the sometimes-narrator of the overall story, in present-day Canada. Along the way we are introduced to Blaise’s family and a host of other characters—and I do mean characters—and given precious glimpses into the minds and hearts of a war-torn and often adrift group of people who are just trying to find a new foothold.

I picked the book up at a recent short story reading. Borkowski stole the show with his animated, accented “Twelve Versions of Lech,” which is one of the book’s showstoppers, transporting a modernist Polish artist from the motherland to Canada. Lech is unlike anything the Polish immigrants and their Canadian-born children of 1980s Copernicus Avenue have ever encountered, and he represents a Poland that is distinct from the memories the older generation cherish and protect. Continue reading “Lost in the old world and the new: a review of Copernicus Avenue by Andrew J. Borkowski”

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The Event: TYPE Books and the Year of the Short Story

Carolyn Black (The Odious Child), Dennis E. Bolen (Anticipated Results), and Andrew J. Borkowski (Copernicus Avenue) celebrate the Year of the Short Story at TYPE Books.


TYPE Books is just one of those places in Toronto. Some book-loving friend will have told you about it a dozen times; or, you’re wandering Queen Street West and in between sculptural furniture browsing at Morba and the best brownies in the world (not made by my mom) and Americanos at the White Squirrel you see this quirky little bookshop. You go in. You fall in love. And no matter where in the city you live, you will be back. TYPE is a modern museum of wordsmithery, a well-curated collection of the most current heavy-hitters and the more obscure titles that you didn’t know you couldn’t live without, along with a superb collection of periodicals, journals, and odd gift items (fluffy stuffed chickens, silver skulls, etc.).

TYPE also plays host to eclectic book events, often featuring local writers. Last night was a celebration of the Year of the Short Story that brought together Carolyn Black (The Odious Child), Dennis E. Bolen (Anticipated Results), and Andrew J. Borkowski (Copernicus Avenue). I’d recently picked up The Odious Child after reading a review at bellasbookshelves.com. I’d particularly enjoyed the title story and “Wife, Mistress,” so I made my way with a friend down to Queen West. A small crowd (about 20 or 30) of us enjoyed some pre-event browsing of TYPE’s eclectic shelves (one of those stuffed chickens nearly came home with me).We gathered in the centre of the shop for the readings, and while my high-heel-encased feet would have preferred the option to sit, standing in a group of excited, like-minded readers generated its own kind of cozy intimacy. Aforementioned Americano in hand, I leaned against the magazines and listened. Continue reading “The Event: TYPE Books and the Year of the Short Story”