The kinetic world of ballet dancers and the artistic innovation of the 1950s American dance scene are the backdrop of The Master’s Muse, by Varley O’Connor. This novelization of real events is told through the first-person perspective of Tannaquil Le Clercq, prima ballerina of the nascent New York City Ballet, and the fifth wife of superstar choreographer George Balanchine. Tanaquil’s story is not just that of a ballerina, however; in 1956, during a European tour, Tanaquil contracted polio, which resulted in the paralysis of her lower body.
“Pain dilutes in the extension of time. Like ink in water it blackens, and then the water stays clear and the blackness whirls. Days come when it’s a single black thread swirling about. there it is. Hello. There you are.”
The kinetic world of ballet dancers and the artistic innovation of the 1950s American dance scene are the backdrop of The Master’s Muse, by Varley O’Connor. This novelization of real events is told through the first-person perspective of Tannaquil Le Clercq, prima ballerina of the nascent New York City Ballet, and the fifth wife of superstar choreographer George Balanchine. Tanaquil’s story is not just that of a ballerina, however; in 1956, during a European tour, Tanaquil contracted polio, which resulted in the paralysis of her lower body.
Tanny grew up in the school run by Balanchine, who noticed her prodigious talent early. She is the prototypical “Balanchine dancer,” the right sized head and long legs, the ability to travel and “eat space” on the stage, perfect technique and passion. At what point the artistic relationship turns into love is unclear but it does happen early; Tanny is already in love with Balanchine in her early twenties, when he was still married to his fourth wife, Maria Tallchief. Each of Balanchine’s wives was, at the time of marriage, his principal female dancer. She becomes the fifth Mrs. Balanchine when she is twenty-three and he is forty-eight.
But this is all prologue. The real story opens in Copenhagen, after Tanny and George have been married for several years, and Tanny is already noticing that George’s attention is wandering. Though the marriage is rocky, Tanny is at the peak of her physical and artistic career. She is stunningly beautiful, appearing on the cover of Vogue magazine, and she is sought after by choreographers who create dances for her. In Copenhagen, she thinks she is becoming a bit ill, feeling weak and seeing some swelling in her thigh, but she dances through the pain. The flu, she thinks, until she realises that she can’t move her legs. She was twenty-seven years old.
Continue reading “The fifth Mrs. Balanchine: A review of The Master’s Muse by Varley O’Connor”
